Why choose smart technology for business?

Oracle Digital Assistant Version 18.4.3 Introduces Skill Chatbot Capability  | The Oracle Mobile Platform Blog

The smart technology is not just only for home, it can also provide lots of benefits to the business owners. There are lots of smart tech systems that can help to run the business smoothly without having any issues. Whether you are running a small business or you have a large organization, it is beneficial for you to look for a reliable and effective smart tech device from software development company in malaysia that can help you to boost up the productivity of your workplace. 

The smart tech devices do not only maintain a safe environment at your workplace but also helps to optimize the process so that you can enjoy high success in your work. So, if you want to turn your simple business into a smart business then it is beneficial for you to adopt effective and reliable smart technology devices. Here are some reasons why you should choose smart tech devices for your smart business:

Smart technology for safety 

Keeping the employs and business safe is one of the main objective of any business owner and it makes important for you to install the right security system at the workplace. There are lots of smart tech devices are available in the market these days that you can use to enhance the safety and security of your workplace that includes a front point security system. Ring video doorbell and smart locks. In order to monitor your workplace, it is important for you to install these security systems that come with the versatility and customizable features and make your business safer. Now, you can monitor all of your devices through your smartphone anytime and from anywhere you want that helps you to maintain the safety in your workplace. 

Smart technology for energy efficiency 

Investing in smart tech devices from 10kb systems sdn bhd does not only provide safety to your business but it can also make your business energy efficient. By installing smart tech devices, you can save lots of money and time and able to make profitable growth in your business. There are lots of smart tech devices like a Nest thermostat and smart lighting comes with the automatic on and off features that can help you to save your money on the energy cost and use the money for further growth of your business that can make you happy and satisfied. You can easily control these devices with your phone and able to turn on and off the lights of your workplace from anywhere and able to save your money in an effective manner. 

Smart technology for productivity 

By installing smart technology like a digital assistant, you can have an eye on your employees and the work at your office that allow you and your team to concentrate on more productive goals. With the help of smart tech devices, lots of businesses become able to enhance the efficiency and productivity of their workplace and able to manage their office work in an effective manner. The popularity of smart technology is going on increasing day by day so, it is beneficial for you to invest in the smart technologies and convert your office into a smart and efficient workplace. 

Classical Music History Overview

Richard Wagner

One can’t ignore Wagner when it comes to 19th century music. He pushed the limits of tonality while keeping his music clear and keeping a steady theme or idea. Wagner’s creation of “gesamtkuntswurk”, or “total work of art”, is a very Romantic idea since it includes all works of art (music, poetry, acting, architecture). Wagner’s operas are all very important and most people would know themes from some of his pieces such as Lohengrin (“Bridal Chorus”), The Valkyrie (“Ride of the Valkyries”) as they are two commonly used pieces of music.

Gustav Mahler

If Richard Wagner pushed the limits of tonality then Mahler helped to break the old limits of tonality and build new ones, along with other composers. Mahler’s music can be very emotional, and quite Romantic, such as the first movement of his Fifth Symphony. The piece begins with a funeral march and continues to switch back and forth between different styles and themes.

Modest Mussorgsky

Mussorgsky’s nationalist approach to music was part of a new generation of composers. His style dwelled on Russian themes and folk tunes for music. His most famous composition, Pictures at an Exhibition, is a very nationalist piece and also a very interesting piece because of its somewhat programmatic theme. Another representative piece of Mussorgsky would be Boris Godunov, which we did not listen to, but it is his well-known opera.

Pyotr Ilyich Tchaikovsky

Tchaikovsky’s music is not as nationalist as Mussorgsky’s, although it still has that Russian “vibe.” His famous ballets (Nutcracker Suite, Swan Lake, Sleeping Beauty) all are wonderful compositions that are representative of his style. These pieces are also very Romantic because of their use of new harmonies, theme development, and emotion.

John Philip Sousa

America’s own John Philip Sousa could be called the “Marching King.” He didn’t compose much other than marches, although he did compose several mmc996 thai operettas. His marches have become famous American themes and some are even associated with several universities in the United States. His most famous march is The Stars and Stripes Forever, which is the United States’ official march. Also, Sousa’s “Semper Fidelis” is also a well known piece, being the United States Marine Corps official march.

Franz Liszt

Liszt is another composer who also “wears his heart on his sleeve.” It’s very easy to feel certain emotions through Liszt’s music, and he also tended to prefer conveying emotions rather than telling a story, just as Brahms. However, this doesn’t mean that Liszt didn’t write programmatic music. Liszt used the technique of thematic transformation in a lot of his music, which was similar to theme and variation and to other forms such as idée fixe and leitmotif. Liszt’s Symphonic Poems are some of his more representative works.

Richard Strauss

Strauss makes the listener think, mostly because Strauss is trying to tell a story but by using music. For example, in Don Quixote Strauss uses different instruments and different themes to represent two characters. Strauss’ tone poems usually function in this manner, and are very artistic pieces. His “Vier Letzte Lieder” are also incredibly beautiful and Romantic songs.

About Heavy Metal Music

The period of metal music encompasses one of the most developmental eras of humanity in which civilization faces an essential question, and seemingly in synchronicity with this era metal is music mirroring the parental rejection and path finding the behavior of adolescents outside of known boundaries and most importantly, outside of external control. Looking back upon “Western history” we see that it is clearly the history of Christianity arising in Europe and with it a material need for theological justice which motivated the centralization of Europe and the industrial revolution, thus beginning the artificial Hegelianism of the current time in which civilization re-learns its values after absorbing technocracy.

As in Western heritage so far there has been a lack of collective action because of our resentment at coercion, in metal or in an adolescent rebelling against a parent there is love and the uncertainty of a known past versus and unknown future, as well as a desire to acquire and define an existence for oneself. All past cultures are dead and in the existential void of late modernism, the culture of culture of metal mirrors the growth of individuals and society from a period of adolescence represented by aestheticism to an adulthood of literalist yet design-oriented noble culture; this future yet unrealized represents a potential transition beyond the failures humanity to a higher state of awareness, according to the greatest human philosophers.


The first metal emerged from the youth born after World War II in a time when all older learning and social order was becoming extinct at the hands of a new technocratic system of world government experiencing Genesis.

These were also the first people whose lives were completely enclosed by technology and who could not remember a time of prevalent human versus natural struggle.

WWII culminated the former ages of diplomacy and Viet Nam demonstrated the essential qualities of imperialist policy, revealing the bankruptcy of a “moral” state and plunging America into an intellectual revolution from which no heroes have emerged. Since that time America and the human population able to cogitate on such issues have become self-analytical and obsessed with re-assessing the various evolutionary states of social order and personal values, although as with all previous revolutions in the Western heritage of the past 2,000 years, have failed to escape their own programming with the values of the previous empire, thus being doomed to recreate it.


Metal music occupies a distinct position in being the music of the dissatisfied arising from within the dissatisfied. It’s dissidence demands values before immediate action and thus is less obviously political than other genres, but its aesthetic reveals a genre convinced that making of noise and violence music of beauty and logical, clear structure is in some way, transcendent. In brief theoretical description, it is modal music achieving harmony from the resonance of melodic shape of an undulating rhythm of internal syncopation. Lawless, it knows no keys, and while roughly described by “classical” (Baroque/Romanticist) theory, its phrasing reflects an architecture as a language designed to be description throughout pieces of mostly consistent dynamic intensity at a tactical level. This form of counterpoint music in the symbolism of scientific approach to information it suggests, at the highest level, rejects self- and socially-centered realities in favor of the dynamic, selfless, nihilistic absolutist freedom of tone; in at least one sense, this is a motion from self-conscious-view to worldview in which self is an actuator.

The heavy influence of structure unifying songs, as mirrored in a trellis thematic construction dividing phrasing and arrangement of objects of phrase and harmony into components of theme completing motifs central to the conception of each work, suggests a postmodernist solidification of art and medium into a message containing a coded subtext of influence on the subconscious mind and emotions. In rock, there is a form and songs are derivations of it; in information music, the structure becomes the song which becomes its own medium for poetic expression through narrative in the conversion of noise to coherent sound. For this reason within the context of the fourth full generation of this genre a scientist is justified in using the term “information music” to describe a style where phrasing and tone, as reduced to a symbology of relativism, are manipulated modally to achieve thematic synthesis and resolution in the style of “classical” pieces. In other terms, in rock music, there is a form and within it songwriting occurs; in metal, the central melody determines the structure of each song.

Classical Music From Around The World

Enjoying live music is always great, and classical music is no different. Check out these live events if you want to experience classic music first hand!

Bregenz, Austria

Austria is often seen as being the hub for classical music, and Bregenz definitely does this reputation justice. Set on a massive “floating” stage on Lake Constance, Bregenz is a genuinely spectacular experience to see and hear.

Gstaad, Switzerland

Famous for its pleasing, outdoors atmosphere Gstaad is a elegant event set in the mountains. During the festival, the main events play in big white tents with poor acoustics, but a great vibe. The smaller acts play in local churches for a more austere experience.

Dartington, Devon

A truly friendly and collaborative event, Dartington is one of the few places where amateurs and professionals come together. Amateurs usually consist of average people with a passion for classical music, who come together to improve their skills in chamber groups or masterclasses.

Spoleto, Italy

Set amongst an idyllic hillside background and populated with exquisite renaissance style palaces, this small Italian village seems to have been designed to hold a festival. Crowds can enjoy the settings and the music in a beautiful sweeping piazza in the middle of the town.

Classical music composers

The most amazing thing to consider about Chopin is that he did not understand orchestration, and he himself even admitted this. He had to have help from his friends, including Liszt, in scoring his two piano concerti.

Chopin simply had a natural gift for melody, and what was pleasing to ear. His works were primarily short piano works, and are the perfect entry point to classical music for their simplicity, directness, and sheer melodic beauty.


Often recognised as the greatest composer of music who has ever lived, whilst Bach was not an innovator of any new style of music, he perfected every single one of them.

From concertos, to fugues (which are noted for their difficulty to write) Bach could do it all, and they were all masterpieces. The Mass in b minor is often argued by musicologists and composers to be the single greatest work of music ever written, in any genre or style.


Volatile and musically gifted beyond comparison, new maverick talents are often compared to Mozart. However, there can’t be any replacement for his contributions to the world of music.

He wrote 27 piano concerti, 36 violin, cello, church sonatas and organ pieces 18 masses, 41 symphonies, 4 horn concerti, 20 string quartets… and many more.

No one else created a body of work quite as diverse and eclectic in the field of classical music as Mozart.


Often credited as the greatest songwriter of all time…Schubert simply loved to write. His passion for writing was such that as soon as he finished one piece of music, he would throw it to the floor, grab another sheet of paper and start another.

One of his finest works “Hark, Hark, the lark” he wrote on the back of a beer hall receipt, all in one sitting. During the sixteen years of his career, Schubert wrote an astonishing 650 songs.